Headphones

27 08 2008
Amazing headphones, low price.

Amazing headphones, low price.

I’ve been in a 4 year relationship with a pair of Shure E2c headphones. When we met I was going through this 2 or 3 year phase where I purchased a new pair of headphones every 2 or 3 months. Some worked crappy and were quickly replaced, some just wern’t good enough for me, and some just didn’t last well for whatever reason. I came to the conclusion that I needed a higher class of headphone. So I went down to my local Fry’s Electronics and looked at all their higher end headphones and made a list of models and prices, went home and looked up specs and reviews. I comitted to spending no more that $150 (which is a pretty healthy amount for headphones) and as such had a fairly wide range of options. After a few days of research I made my choice and purchased the Shure’s.  

After I got them home and out of the package it was another 5 minutes or so chosing which type and size of tips to put on them, and yet another 2 minutes trying to figure out how to properly fit them in my ears.

After that was out of the way, I plugged them into my Sony Walkman CD Player (R.I.P. you beautiful bassy bastard….) qued up my recently purchased reissue of Nine Inch Nails “The Downward Spiral.” I pressed play, and immediately wet myself…. 

Ok, not really, but I was SHOCKED at the amazing quality of the headphones. I managed to make it through about 4 songs before my feverish need for more consumed me. I spent the next 4 hours listening to everything in my collection, and I started hearing things I had never heard before… Piano lines suddenly appeared in songs I had been listening to for years, I heard vocals layers previously hidden by lower end speakers. Even my mp3s sounded better, and gave me more to hear.

They not only sound great, but were great at blocking out noise. I went on a long plane ride and sat near an engine for 8+ hours, I didn’t hear a thing but my music.

Over the next few years my headphones went everywhere with me… until one day I ran over them with a forklift. Lucky for me a few months later I was able to replace them, and this time Shure added yet another earbud tip made from silicone.

Anyway, my whole point is that great headphones aren’t cheap, but they are worth it.





Music in 2008

22 08 2008

What the hell happened to music this year?

Am I just jaded? Did I set the bar too high? I felt disappointed by virtually every album I was looking forward to this year.

Here’s a list:
Subtle – Exiting ARM
Mindless Self Indulgence – if
Uncle Outrage – The Chinchilla Album
The Faint – Fasciination
N.E.R.D – Seeing Sounds
Dresden Dolls – No, Virginia
Man Man – Rabbit Habbits
Tech N9ne – Killer

Though these albums were either good or amazing:
Atmosphere – When Life Gives You Lemons
Jamie Ladell – Jim

If you ask for a list of my more recent favorite artists, its virtually all the people in the “Disappointment” category.

So I’ll turn it over to you.

Am I being too harsh on these albums or artists? Or is 2008 really that bad of a year for music?





The State of the Music Industry or How I Learned to Stop Worrying and Accept That I’ll Never Be That Famous

21 08 2008

Long title no?

Up until about a week ago I was a subscriber to Bob Lefsetz‘ blog. Around a year ago Bill_H suggested it to me during a conversation about the music industry. So I gave it a shot, and honestly I found it fascinating. As someone who has very little to no interaction with musicians outside of his own niche genre, its rare that I would get opinions that didn’t start with “I really LOOOOOVE Mindless Self Indulgence and…” it was refreshing to hear from someone who actually knows the industry.

Eventually I got bored of Lefsetz, he would often digress into things that I didn’t care as actively about, or rant about albums sales, the types of things I would have an interest in if I were having a conversation face to face with someone about. Though there were some things that he said that stuck with me. Manly things I didn’t want to hear. Things like “You will never be that famous.”

Initially what I heard was “You will never be able to make a living doing what you want to do. Also, you are a fatty.” (Ok, maybe not that second part…) Honestly my main goal is to be a working musician, I want that to be my full time job. What Bob-o was trying to say is that I will likely never reach the level of “ROCK STARDOM” that we saw in the latter half of the 20th century. He posits that we will not be another Rolling Stones/Beatles/Eagles/U2. He attributes this to the same thing I attribute it to: the Internet. Yes, once again that series of tubes is to blame for the inevitable destruction of a chunk of our culture! But don’t go blaming piracy (though admittedly that is a factor) because the real reason is that the internet makes it so that artists don’t have to be signed to a major label to have their music heard in mass, nor are they needed to help distribute the music.

27,257,952 is a lot.

27,257,952 is a lot.

People who never would have been able to get a record deal are becoming internet superstars, look at Tay Zonday, Chocolate Rain has 27,000,000 views on YouTube. Don’t get me wrong, I consider him to be more of a meme than an artist, but the fact is, he has a good 27 million more views than you or I do on our music videos.

The bottom line is that he has made money off this song. He did a Dr. Pepper ad! He was in a Weezer video! He was parodied on South Park! All without a label. The PR machine that he tapped into was the internet, and that’s all anyone will need for a long long time.

Is this selling out arenas? No. Is he going to be known for anything but that song in 5 years? No. But it doesn’t matter. It’s proof of concept. Stars no longer are born solely out of hard work, years of scraping by, waiting for that “one big shot” where the right person might hear you.

I’m beating a dead horse here I know, if your reading this that means you’ve been to the internet, and that all of this is old hat to you, but I wanted to spell it out again anyway.

The way I see it is the record labels are going the way that the movie studios did in the 1950’s with the collapse of the Studio System. They no longer control the sole means of appropriation, marketing and distribution of music. It hurt them for a while, but the studio’s adapted. We still have movie stars, we still have big budget films, we still have the same groups of people working together over and over again. The only difference is that the movie studios didn’t have YouTube to compete with.

If the media companies are smart (which from what I have seen, they are not) they will adapt to this new set of trends. More and more artists are shrugging off their labels and going partially or completely independent because the studios are not offering them anything that they either can’t do themselves, or can’t find someone or something else to do it better with less restrictions.

Times have changed, and now it’s up to the media companies to catch up or bow out.





Playing with BeatMaker

21 08 2008

I hung out with Richee after my family reunion on the 16th, he shot this video on his flip.

Like I said, I love BeatMaker.

The Latop Bag was made by Alexis for my birthday, she’s awesome.





iPod Touch/iPhone Music Apps Part… Umm 2 ish?

21 08 2008

I am pleased as punch to see this constant flow of music apps in the iTunes App Store.

BeatMaker for the iPhone/iPod Touch

BeatMaker for the iPhone/iPod Touch

I purchased BeatMaker the instant I found out it was available. I even went so far as to record a review of it for Mac OS Ken a few weeks ago. Tons of functionality, and each new version keep bringing loads of improvements (they just added midi exporting) though I do have to say, there are some ways in which is is VERY lacking; a simple keyboard would be nice, multiple kits on a single track, ect…

iDrum is a close second. By far the most intuitive sequencer I have seen on a mobile device, a sleek interface and wide range of preset hits and kits. The downside is the lack of desktop syncing (BeatMaker has a desktop app that can easily sync with the software) and how limited it is feature wise.

In the Midi arena we have iTM MidiLab which is for me a killer app. It’s basically a midi Keyboard/Drum Matrix/XY Pad that works over WiFi. It comes in 4 flavors, a free app that demos all 3 types of function, as well as 3 other apps (paid) thatare more fleshed out versions of the demo apps. This is a dream come true for me…

More half assed reviews as things are released…





Single White MC Seeks Single Black Turntable

21 08 2008

I’m pretty sure I’m going to start putting out personal ads for equipment.

“Single White MC seeking Single Black Turntable. You, direct drive, clean new needles. No need for a pitch shifter. Long term only.”

I have a huge crate of vinyl to comb through and find samples in. Its a pretty awesome selection. The guy who collected it all used to either work at a record store, or work as a DJ, because there are tons of Promo/Not For Resale records in there. I hunger for new samples…





How to Remain Socially Relevant in Today’s Music Scene

21 08 2008

Step 1: Take something that has completely over saturated the public consciousness and use it to increase the success of your latest endeavor.
Step 2: Everyone’s got a myspace, keep up with the times and get a much more personal Twitter.
Step 3: ?
Step 4: Profit.

Don’t get me wrong, I enjoy Weezer. (Unless that isn’t cool anymore, or ever, I have a hard time keeping up with that sort of thing.) I’m just pointing out what they are doing to get noticed.

Now the question is: Do I respect them more, or less for trying to exploit this new avenue of attention?

Sure its big on Digg. But then again, what does that matter?